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All Outputs (7)

Multimodal perception of interpersonal synchrony: Evidence from global and continuous ratings of improvised musical duo performances (2020)
Journal Article
Jakubowski, K., Eerola, T., Blackwood Ximenes, A., Ma, W., Clayton, M., & Keller, P. (2020). Multimodal perception of interpersonal synchrony: Evidence from global and continuous ratings of improvised musical duo performances. Psychomusicology: Music, Mind and Brain, 30(4), 159-177. https://doi.org/10.1037/pmu0000264

Investigating cues that underpin perceptual judgments of interpersonal coordination has important implications for understanding sociocognitive evaluations of the quality of human interactions. With a focus on musical interpersonal coordination, we c... Read More about Multimodal perception of interpersonal synchrony: Evidence from global and continuous ratings of improvised musical duo performances.

Interpersonal entrainment in music performance: Theory, method and model (2020)
Journal Article
Clayton, M., Jakubowski, K., Eerola, T., Keller, P., Camurri, A., Volpe, G., & Alborno, P. (2020). Interpersonal entrainment in music performance: Theory, method and model. Music Perception: An Interdisciplinary Journal, 38(2), 136-194. https://doi.org/10.1525/mp.2020.38.2.136

Interpersonal musical entrainment—temporal synchronization and coordination between individuals in musical contexts—is a ubiquitous phenomenon related to music’s social functions of promoting group bonding and cohesion. Mechanisms other than sensorim... Read More about Interpersonal entrainment in music performance: Theory, method and model.

Empirical methods in the study of music performance. An interdisciplinary history (2020)
Book Chapter
Clayton, M. (2020). Empirical methods in the study of music performance. An interdisciplinary history. In G. Borio, G. Giuriati, A. Cecchi, & M. Lutzu (Eds.), Investigating musical performance : theoretical models and intersection (9-24). (1). Routledge

This chapter aims to present a comparison, addressing in particular the place of ‘empirical’ methodologies intended as those involving the analysis of quantitative performance data describing for instance timing, pitch, loudness or movement in both d... Read More about Empirical methods in the study of music performance. An interdisciplinary history.

Theory and practice of long-form non-isochronous meters: The case of the North Indian rūpak tāl (2020)
Journal Article
Clayton, M. (2020). Theory and practice of long-form non-isochronous meters: The case of the North Indian rūpak tāl. Music theory online, 26(1), Article 2. https://doi.org/10.30535/mto.26.1.2

Non-isochronous (NI) metres (cf. additive metres) have an importance to metrical theory that belies their relative rarity in the Western art music tradition, and need always to be considered in general theoretical discussions. This paper focuses on a... Read More about Theory and practice of long-form non-isochronous meters: The case of the North Indian rūpak tāl.

Cross-Cultural Work in Music Cognition. Challenges, Insights, and Recommendations (2020)
Journal Article
Jacoby, N., Margulis, E. H., Clayton, M., Hannon, E., Honing, H., Iversen, J., …Wald-Fuhrmann, M. (2020). Cross-Cultural Work in Music Cognition. Challenges, Insights, and Recommendations. Music Perception: An Interdisciplinary Journal, 37(3), 185-195. https://doi.org/10.1525/mp.2020.37.3.185

Many foundational questions in the psychology of music require cross-cultural approaches, yet the vast majority of work in the field to date has been conducted with Western participants and Western music. For cross-cultural research to thrive, it wil... Read More about Cross-Cultural Work in Music Cognition. Challenges, Insights, and Recommendations.

Entrainment and the social origins of musical rhythm (2020)
Book Chapter
Clayton, M. (2020). Entrainment and the social origins of musical rhythm. In P. Cheyne, A. Hamilton, & M. Paddison (Eds.), The philosophy of rhythm : aesthetics, music, poetics. Oxford University Press