All Outputs (70)

The Music of Frederick Delius Style, Form and Ethos (2021)
Book
Style, Form and Ethos. Boydell & Brewer

Narrative and Formal Plasticity in the British Symphonic Poem, 1850-1950 (2020)
Book Chapter
Dibble, J. (2020). Narrative and Formal Plasticity in the British Symphonic Poem, 1850-1950. In M. Allis, & P. Watt (Eds.), The Symphonic Poem in Britain, 1850-1950 (15-54). The Boydell Press: Woodbridge

Hubert Parry - Songs of Farewell (2018)
Data
Dibble, J. (2018). Hubert Parry - Songs of Farewell. [Dataset]

British Musical Criticism and Intellectual Thought, 1850-1950 (2018)
Book
Dibble, J., & Horton, J. (Eds.). (2018). British Musical Criticism and Intellectual Thought, 1850-1950. Boydell & Brewer

Canon Thomas Hudson, Clergyman Musician, Cambridge Don and the Hovingham 'Experiment' (2018)
Book Chapter
Dibble, J. (2018). Canon Thomas Hudson, Clergyman Musician, Cambridge Don and the Hovingham 'Experiment'. In L. Bodley (Ed.), Music Preferred: Essays in Musicology, Cultural History and Analysis in Honour of Harry White (597-613). Hollitzer Verlag

Composer of the Month - Hubert Parry (2018)
Other
Dibble, J. (2018). Composer of the Month - Hubert Parry

British Musical Criticism and Intellectual Thought 1850-1950. (2018)
Book
Dibble, J., & Horton, J. (Eds.). (2018). British Musical Criticism and Intellectual Thought 1850-1950. Boydell & Brewer

'Romanticism, pedagogy and the English Organ: the discourse of concert and ecclesiastical repertoire - Best, Stainer, Parry and Stanford (2018)
Book Chapter
Thistlethwaite, N., Harper, J., Williamson, M., Smith, D., Lynan, P., Kitchen, J., …Dickinson, P. (2018). 'Romanticism, pedagogy and the English Organ: the discourse of concert and ecclesiastical repertoire - Best, Stainer, Parry and Stanford. In I. Quinn (Ed.), Studies in English Organ Music (223-249). Routledge

Free Thought and the Musician: Ernest Walker, the 'English Hanslick (2018)
Book Chapter
Dibble, J., Horton, J., Horton, P., Mark, C., Arrandale, K., Thomson, A., …White, H. (2018). Free Thought and the Musician: Ernest Walker, the 'English Hanslick. In J. Dibble, & J. Horton (Eds.), British Musical Criticism and Intellectuall Thought 1850-1950. Boydell & Brewer

In Praise of Parry 100 Years On (2018)
Other
Dibble, J. (2018). In Praise of Parry 100 Years On

Hubert Parry - 'Hear my words, ye people' (full score) (2018)
Data
Dibble, J. (2018). Hubert Parry - 'Hear my words, ye people' (full score). [Dataset]

Stanford - Communion Service in B flat Op. 10 (with additional Kyrie by Dibble) (2018)
Data
Dibble, J. (2018). Stanford - Communion Service in B flat Op. 10 (with additional Kyrie by Dibble). [Dataset]

Stanford Morning Service in B flat Op. 10 (2018)
Data
Dibble, J. (2018). Stanford Morning Service in B flat Op. 10. [Dataset]

Hubert Parry - 'Hear my words, ye people' (vocal score) (2018)
Data
Dibble, J. (2018). Hubert Parry - 'Hear my words, ye people' (vocal score). [Dataset]

Ancient and Modern: The 'Janus-Like' Chemistry of Charles Wood's Church Music (2016)
Other
Dibble, J. (2016). Ancient and Modern: The 'Janus-Like' Chemistry of Charles Wood's Church Music

In Praise of Song (2016)
Other
Dibble, J. (2016). In Praise of Song

John Stainer: Four Romantic Madrigals (2016)
Data
Dibble, J. (2016). John Stainer: Four Romantic Madrigals. [Dataset]

Context, Form and Style in Sterndale Bennett's Piano Concertos (2016)
Journal Article
Dibble, J. (2016). Context, Form and Style in Sterndale Bennett's Piano Concertos. Nineteenth-Century Music Review, 13(2), 195-219. https://doi.org/10.1017/s1479409816000616

A concert pianist in his own right and a prodigious youth, Sterndale Bennett composed his five complete piano concertos at the beginning of his career. Although Mozart is often cited as a major influence on Bennett’s musical style, and Bennett was a... Read More about Context, Form and Style in Sterndale Bennett's Piano Concertos.

Hamilton Harty's Ode to a Nightingale: A Confluence of Wagner and Elgar (2016)
Journal Article
Dibble, J. (2016). Hamilton Harty's Ode to a Nightingale: A Confluence of Wagner and Elgar. Journal of the Society for Musicology in Ireland, 11(2015-16), 57-81

Hamilton Harty, a figure readily associated with an assimilation of Irish culture, in 1907 composed a setting of Keats’s Ode to a Nightingale specially for his wife, the soprano Agnes Nicholls. Nicholls had become a pre-eminent Wagnerian soprano in L... Read More about Hamilton Harty's Ode to a Nightingale: A Confluence of Wagner and Elgar.

War, Impression, Sound, and Memory: British Music and the First World War (2015)
Journal Article
Dibble, J. (2015). War, Impression, Sound, and Memory: British Music and the First World War. Bulletin - German Historical Institute London, 37(1), 43-56