Edward Welch
Portrait of a Nation: Depardon, France, Photography
Welch, Edward
Authors
Abstract
In 2003, Raymond Depardon was commissioned by the French Ministry of Culture to tour the country and produce a photographic portrait of the nation. By the time of its completion in 2008, the project will have been funded to the tune of some €400,000. This essay investigates Depardon’s photographic ‘Tour de France’. Its aim in the first instance is to explore the images of the country he has produced on his travels; but in doing so, it addresses the broader set of questions raised by the project about the place of photography in the contemporary French cultural order. Firstly, it considers the central role ascribed to photography by the country’s cultural and political institutions as a way of tracking and representing national identity and regional difference. Secondly, it investigates what the project reveals about Depardon’s own place in France’s cultural and photographic star system, as he transforms himself into an itinerant, state-sponsored investigator of that identity.
Citation
Welch, E. (2008). Portrait of a Nation: Depardon, France, Photography. Journal of Romance Studies, 8(1), 19-30. https://doi.org/10.3167/jrs.2008.080103
Journal Article Type | Article |
---|---|
Publication Date | Apr 1, 2008 |
Deposit Date | Feb 1, 2010 |
Publicly Available Date | Feb 3, 2010 |
Journal | Journal of Romance Studies |
Print ISSN | 1473-3536 |
Electronic ISSN | 1752-2331 |
Publisher | Liverpool University Press |
Peer Reviewed | Peer Reviewed |
Volume | 8 |
Issue | 1 |
Pages | 19-30 |
DOI | https://doi.org/10.3167/jrs.2008.080103 |
Keywords | National identify, Regional identity, Space, Travel, Mission France, Datar. |
Public URL | https://durham-repository.worktribe.com/output/1531089 |
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