Komaki Masahide no sokuseki to Shanghai Ballet Russes (Komaki's Footsteps and the Shanghai Ballet Russes)
(2022)
Book Chapter
Innami, F. (2022). Komaki Masahide no sokuseki to Shanghai Ballet Russes (Komaki's Footsteps and the Shanghai Ballet Russes). In From Alexandria to Tokyo: Art, Colonialism and Entangled Histories. Mori Art Museum
Outputs (3)
The Flesh, Subject, Embodiment in Postwar Japan: Through Nikutai and Gutai (2022)
Book Chapter
Innami, F. (2022). The Flesh, Subject, Embodiment in Postwar Japan: Through Nikutai and Gutai. In G. Siary, T. Takemoto, V. Vuilleumier, & Y. Zhang (Eds.), LE CORPS DANS LES LITTÉRATURES MODERNES D’ASIE ORIENTALE : DISCOURS, REPRÉSENTATION, INTERMÉDIALITÉ (The Body in Modern Asian Literature: Discourse, Representation, Intermediality) (359-374). Collège de France. https://doi.org/10.4000/books.cdf.12570
Gendered High and Low Culture in Japan: The Transgressing Flesh in Kawabata’s Dance Writing (2019)
Book Chapter
Innami, F. (2019). Gendered High and Low Culture in Japan: The Transgressing Flesh in Kawabata’s Dance Writing. In J. Coates, L. Fraser, & M. Pendleton (Eds.), The Routledge Companion to Gender and Japanese Culture (373-381). Routledge. https://doi.org/10.4324/9781315179582-37This chapter aims to develop an approach to the gendered cultures that may be hierarchically valued as “high” or “low” by focusing on the body as a medium of expression. I argue for the possibility of the embodied experience being employed as a way t... Read More about Gendered High and Low Culture in Japan: The Transgressing Flesh in Kawabata’s Dance Writing.