Outputs (35)

Art and the Ideology of Nature: Sibelius, Hamsun, Adorno (2011)
Book Chapter
Paddison, M. (2011). Art and the Ideology of Nature: Sibelius, Hamsun, Adorno. In D. M. Grimley (Ed.), Jean Sibelius and his World (173-185). Princeton: Princeton University Press

La postmodernidad y la supervivencia de la vanguardia (2011)
Journal Article
Paddison, M. (2011). La postmodernidad y la supervivencia de la vanguardia. Quodlibet (Alcalá de Henares, Madrid), 50((May-August)), 60-84

Time, Tradition and Modernity in the Music of Ljubica Maric: A Bergsonian Interpretation. (2010)
Presentation / Conference Contribution
Paddison, M. (2010, December). Time, Tradition and Modernity in the Music of Ljubica Maric: A Bergsonian Interpretation. Presented at Spaces of Modernism: Ljubica Maric in Context., Belgrade

Mimesis and the Aesthetics of Musical Expression (2010)
Journal Article
Paddison, M. (2010). Mimesis and the Aesthetics of Musical Expression. Music Analysis, 29(1-3), 126-148. https://doi.org/10.1111/j.1468-2249.2011.00333.x

Adorno and Exile: Some Thoughts on Displacement and What it Means to be German (2010)
Book Chapter
Paddison, M. (2010). Adorno and Exile: Some Thoughts on Displacement and What it Means to be German. In E. Levi, & F. Scheding (Eds.), Music and Displacement: Diasporas, Mobilities, and Dislocations in Europe and Beyond (135-153). Scarecrow Press

Contemporary Music: Theoretical and Philosophical Perspectives (2010)
Book
Paddison, M., & Deliège, I. (Eds.). (2010). Contemporary Music: Theoretical and Philosophical Perspectives. Ashgate Publishing

This collection of essays and interviews addresses important theoretical, philosophical and creative issues in Western art music at the end of the twentieth- and the beginning of the twenty-first centuries. Edited by Max Paddison and Irène Deliège, t... Read More about Contemporary Music: Theoretical and Philosophical Perspectives.

Reading History in the Ruins of Nature: Images of Truth, Mortality and Reconciliation in Adorno's Schubert Interpretation (2009)
Book Chapter
Paddison, M. (2009). Reading History in the Ruins of Nature: Images of Truth, Mortality and Reconciliation in Adorno's Schubert Interpretation. In M. V. de Carvalho, R. Duarte, M. Paddison, O. Kolleritsch, S. Dierks, P. Boleo, …H. Robert (Eds.), Expression, truth and authenticity : on Adorno's theory of music and musical performance (41-58). Calibri

Centres and Margins: Shifting Grounds in the Conceptualization of Modernism (2008)
Book Chapter
Paddison, M. (2008). Centres and Margins: Shifting Grounds in the Conceptualization of Modernism. In D. Despic, & M. Milin (Eds.), Rethinking Musical Modernism (65-81). Serbian Academy of Sciences and Arts (SANU)

'Performance, Analysis, and the Silent Work: The Problem of Critical Self-Reflexion in Adorno's Theory of Musical Reproduction'. (2007)
Book Chapter
Paddison, M. (2007). 'Performance, Analysis, and the Silent Work: The Problem of Critical Self-Reflexion in Adorno's Theory of Musical Reproduction'. In A. Nowak, & M. Fahlbusch (Eds.), Musikalische Analyse und Kritische Theorie: Zu Adornos Philosophie der Musik (221-245). Verlag Schneider

‘Die vermittelte Unmittelbarkeit der Musik: Zum Vermittlungsbegriff in der Adornoschen Musikästhetik’. (2007)
Book Chapter
Paddison, M. (2007). ‘Die vermittelte Unmittelbarkeit der Musik: Zum Vermittlungsbegriff in der Adornoschen Musikästhetik’. In A. Becker, & M. Vogel (Eds.), Musikalischer Sinn: Beiträge zu einer Philosophie der Musik (175-236). Suhrkamp

Performance and the silent work: mediation and critical reflexion in Adorno's theory of musical reproduction. (2006)
Journal Article
Paddison, M. (2006). Performance and the silent work: mediation and critical reflexion in Adorno's theory of musical reproduction. Filigrane, La société dans l’écriture musicale(3), 173-198

This article examines the concept of silence in Adorno’s writings on musical performance, and in particular in his unfinished project Zu einer Theorie der musikalischen Reproduktion. The relation between reflexion, mediation and reification in music... Read More about Performance and the silent work: mediation and critical reflexion in Adorno's theory of musical reproduction..

'Il concetto di natura nell'estetica musicale di Adorno'. (2005)
Journal Article
Paddison, M. (2005). 'Il concetto di natura nell'estetica musicale di Adorno'

'Aspects of time in the creation of music II: reponses and new departures'. (2004)
Journal Article
Paddison, M. (2004). 'Aspects of time in the creation of music II: reponses and new departures'. Musicae Scientiae, Discussion Forum 3.(Aspects du temps dans la creation musicale.), 89-99

‘Nature and the Sublime: The Politics of Order and Disorder in Twentieth-Century Music’. (2004)
Book Chapter
Paddison, M. (2004). ‘Nature and the Sublime: The Politics of Order and Disorder in Twentieth-Century Music’. In Order and Disorder: Music-Theoretical Strategies in Twentieth-Century Music (107-136). Leuven University Press

Nature and the Sublime: the Politics of Order and Disorder in Twentieth-Century Music. (2004)
Book Chapter
Paddison, M. (2004). Nature and the Sublime: the Politics of Order and Disorder in Twentieth-Century Music. In J. Dunsby, J. N. Straus, Y. Knockaert, M. Paddison, & K. Boehmer (Eds.), Order and Disorder: Music-Theoretical Strategies in Twentieth-Century Music (107 - 136). Leuven University Press

'Authenticity and Failure in Adorno's Aesthetics of Music' (2004)
Book Chapter
Paddison, M. (2004). 'Authenticity and Failure in Adorno's Aesthetics of Music'. In T. Huhn (Ed.), The Cambridge companion to Adorno (198-221). Cambridge University Press. https://doi.org/10.2277/0521772893

'Performance, Reification, and Score: the Dialectics of Spatialization and Temporality in the Experience of Music' (2004)
Journal Article
Paddison, M. (2004). 'Performance, Reification, and Score: the Dialectics of Spatialization and Temporality in the Experience of Music'. Musicae Scientiae, Discussion Forum 3, 157-179. https://doi.org/10.1177/10298649040080s111

The following text is taken from the Introduction to Part II written by Professor Paddison. "Like Peter Kivy, my article also deals in part with the experience of the continuities and discontinuities of musical temporality. At the same time there are... Read More about 'Performance, Reification, and Score: the Dialectics of Spatialization and Temporality in the Experience of Music'.

'Stravinsky as devil: Adorno's three critiques' (2003)
Book Chapter
Paddison, M. (2003). 'Stravinsky as devil: Adorno's three critiques'. In J. Cross (Ed.), The Cambridge companion to Stravinsky (192-202). Cambridge University Press

'The sociology of music'. (2002)
Book Chapter
Paddison, M. (2002). 'The sociology of music'. In A. Latham (Ed.), The Oxford Companion to Music (1167-1169). (New ed.). Oxford University Press

'Music as Ideal: the Aesthetics of Autonomy' (2002)
Book Chapter
Paddison, M. (2002). 'Music as Ideal: the Aesthetics of Autonomy'. In J. Samson (Ed.), The Cambridge history of nineteenth-century music (318-342). Cambridge University Press. https://doi.org/10.2277/0521590175