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Outputs (28)

Nativism, the Avant-garde, and the Aesthetics of Decolonisation in Nikoloz Shengelaia’s Eliso (2024)
Journal Article
Radunović, D. (2024). Nativism, the Avant-garde, and the Aesthetics of Decolonisation in Nikoloz Shengelaia’s Eliso. Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 18, https://doi.org/10.17892/app.2024.00018.352

The paper evaluates the reappraisal of nineteenth-century imperial discourses about Georgia and the Caucasus at large in the early Soviet context. The dual figuration of the national idea in the nineteenth century is laid out in view of the colonial... Read More about Nativism, the Avant-garde, and the Aesthetics of Decolonisation in Nikoloz Shengelaia’s Eliso.

Dissensus and the Politics of Transnationalism in the Cinema of Želimir Žilnik: A Case Study of the Most Beautiful Country in the World (2021)
Journal Article
Radunović, D. (2023). Dissensus and the Politics of Transnationalism in the Cinema of Želimir Žilnik: A Case Study of the Most Beautiful Country in the World. Studies in Eastern European Cinema, 14(2), 121-136. https://doi.org/10.1080/2040350x.2021.2014091

The paper takes as a starting point the concept of dissensus understood by the French philosopher Jacques Rancière as a gap in, or a redistribution of the right to speak, to see or to be seen. The paper further asserts that dissensus, thus understood... Read More about Dissensus and the Politics of Transnationalism in the Cinema of Želimir Žilnik: A Case Study of the Most Beautiful Country in the World.

The Emergence of Modern Scientific Communities in Late Imperial and Early Soviet Russia: The Case of the Moscow Linguistic Circle (2017)
Journal Article
Radunović, D. (2017). The Emergence of Modern Scientific Communities in Late Imperial and Early Soviet Russia: The Case of the Moscow Linguistic Circle. Revue des études slaves (En ligne), 88(1-2), 137-150

This article assesses the landscape of Russian studies of art and language in the period 1915-1929 in the light of the loosening of the system of social cohesion in Imperial years and in the context of the rise of ‘secular modernity’. The most releva... Read More about The Emergence of Modern Scientific Communities in Late Imperial and Early Soviet Russia: The Case of the Moscow Linguistic Circle.

The Shifting Protocols of the Visible: The Becoming of Sergei Eisenstein’s "The Battleship Potemkin" (2017)
Journal Article
Radunović, D. (2017). The Shifting Protocols of the Visible: The Becoming of Sergei Eisenstein’s "The Battleship Potemkin". Film history, 29(2), 66-90. https://doi.org/10.2979/filmhistory.29.2.03

This article aims to trace and articulate the extremely rich production and postproduction history of the early Soviet classic, Sergei Eisenstein's Bronenosets Potemkin (The Battleship Potemkin, 1925). By engaging Paolo Cherchi Usai's idea that early... Read More about The Shifting Protocols of the Visible: The Becoming of Sergei Eisenstein’s "The Battleship Potemkin".

On “Secondary Aesthetics, Without Isolation”: Philosophical Origins of Bakhtin’s Theory of Form (2015)
Journal Article
Radunović, D. (2015). On “Secondary Aesthetics, Without Isolation”: Philosophical Origins of Bakhtin’s Theory of Form. Slavic and East European journal, 59(1), 1-22

This paper discusses the philosophical origins as well as the social context of Mikhail Bakhtin’s theory of aesthetic form. Bakhtin’s critique of the Russian Formalist conception of form, which reaches its most elaborate form in his 1924 article “The... Read More about On “Secondary Aesthetics, Without Isolation”: Philosophical Origins of Bakhtin’s Theory of Form.

Estetska autonomija i društvena modernizacija u Rusiji u prvoj trećini dvadesetog veka: četiri refleksije o nasleđu ruskog formalizma [Aesthetic Autonomy and Social Modernization in Russia in the First Third of the Twentieth Century: Four Reflections on the Legacy of Russian Formalism] (2014)
Book Chapter
Radunović, D. (2014). Estetska autonomija i društvena modernizacija u Rusiji u prvoj trećini dvadesetog veka: četiri refleksije o nasleđu ruskog formalizma [Aesthetic Autonomy and Social Modernization in Russia in the First Third of the Twentieth Century: Four Reflections on the Legacy of Russian Formalism]. In D. Bošković (Ed.), Uskrsnuće književnosti: 100 godina ruskog formalizma [The Resurrection of Literature: 100 Years of Russian Formalism] (21-26). Filološko-umetnički fakultet Kragujevac [Faculty of Philology, Kragujevac, Serbia]

Incommensurable distance : Georgian cinema as a (trans)national cinema (2014)
Book Chapter
Radunović, D. (2014). Incommensurable distance : Georgian cinema as a (trans)national cinema. In S. Bahun, & J. Haynes (Eds.), Cinema, state socialism and society in the Soviet Union and Eastern Europe, 1917-1989 : re-visions (49-73). Routledge

The aim of this chapter is to trace the variegating strategies of identity formation in Georgian cinema, and to interrogate the manifestations of minority identity in the markedly transnational context of Soviet cinema. The particularities of nationa... Read More about Incommensurable distance : Georgian cinema as a (trans)national cinema.

Rani Bahtin (2012)
Book
Radunović, D. (2012). Rani Bahtin. (Pojmovnik). Službeni glasnik

The Early Work of Mikhail Bakhtin engages with the formative intellectual years of the Russian philosopher, literary and cultural critic Mikhail Bakhtin. The volume, which is divided into six chapters, opens with the discussion of Bakhtin’s programma... Read More about Rani Bahtin.

Dušan Makavejev (2011)
Book Chapter
Radunović, D. (2011). Dušan Makavejev. In A. Bingham (Ed.), Directory of world cinema : East Europe (186-191). Intellect

Aleksandar Petrović (2011)
Book Chapter
Radunović, D. (2011). Aleksandar Petrović. In A. Bingham (Ed.), Directory of world cinema : East Europe (182-186). Intellect