Fugue or music drama? Symmetry, counterpoint and leitmotif in Dostoevsky's "The Brothers Karamazov"
(2006)
Book Chapter
Bartlett, R. (2006). Fugue or music drama? Symmetry, counterpoint and leitmotif in Dostoevsky's "The Brothers Karamazov". In D. Da Sousa Correa (Ed.), Phrase and subject : studies in music and literature (167-177). Legenda
All Outputs (4)
Chekhov : scenes from a life (2004)
Book
Bartlett, R. (2004). Chekhov : scenes from a life. Free PressBartlett’s work is not a conventional biography, unrolling the familiar facts of Chekhov’s life once again, but rather a study of the world in which he lived and wrote . . . We get a plethora of lively and interesting information about all sorts of a... Read More about Chekhov : scenes from a life.
Stravinsky's Russian origins (2003)
Book Chapter
Bartlett, R. (2003). Stravinsky's Russian origins. In J. Cross (Ed.), The Cambridge companion to Stravinsky (3-18). Cambridge University Press. https://doi.org/10.1017/ccol9780521663304.002Stravinsky’s work spanned the major part of the twentieth century and engaged with nearly all its principal compositional developments. This Companion reflects the breadth of Stravinsky’s achievement and influence in essays by leading international s... Read More about Stravinsky's Russian origins.
The circle and the line : Eisenstein, Florensky, and Russian orthodoxy (2001)
Book Chapter
Bartlett, R. (2001). The circle and the line : Eisenstein, Florensky, and Russian orthodoxy. In A. J. LaValley, & B. Scherr (Eds.), Eisenstein at 100 : a reconsideration (65-76). Rutgers University PressThe great Russian filmmaker and film theorist Sergei Eisenstein has become the subject of renewed interest a century after his birth. A decade after the fall of the Soviet Union, with fresh material on his life and art now consequently available, a m... Read More about The circle and the line : Eisenstein, Florensky, and Russian orthodoxy.