All Outputs (25)

Narrative and Formal Plasticity in the British Symphonic Poem, 1850-1950 (2020)
Book Chapter
Dibble, J. (2020). Narrative and Formal Plasticity in the British Symphonic Poem, 1850-1950. In M. Allis, & P. Watt (Eds.), The Symphonic Poem in Britain, 1850-1950 (15-54). The Boydell Press: Woodbridge

Canon Thomas Hudson, Clergyman Musician, Cambridge Don and the Hovingham 'Experiment' (2018)
Book Chapter
Dibble, J. (2018). Canon Thomas Hudson, Clergyman Musician, Cambridge Don and the Hovingham 'Experiment'. In L. Bodley (Ed.), Music Preferred: Essays in Musicology, Cultural History and Analysis in Honour of Harry White (597-613). Hollitzer Verlag

'Romanticism, pedagogy and the English Organ: the discourse of concert and ecclesiastical repertoire - Best, Stainer, Parry and Stanford (2018)
Book Chapter
Thistlethwaite, N., Harper, J., Williamson, M., Smith, D., Lynan, P., Kitchen, J., …Dickinson, P. (2018). 'Romanticism, pedagogy and the English Organ: the discourse of concert and ecclesiastical repertoire - Best, Stainer, Parry and Stanford. In I. Quinn (Ed.), Studies in English Organ Music (223-249). Routledge

Free Thought and the Musician: Ernest Walker, the 'English Hanslick (2018)
Book Chapter
Dibble, J., Horton, J., Horton, P., Mark, C., Arrandale, K., Thomson, A., …White, H. (2018). Free Thought and the Musician: Ernest Walker, the 'English Hanslick. In J. Dibble, & J. Horton (Eds.), British Musical Criticism and Intellectuall Thought 1850-1950. Boydell & Brewer

A compromise between old and new? : the music of Hymns Ancient & Modern (2013)
Book Chapter
Harper, J., Watson, R., Dibble, J., Malpas, A., Malpas, A., Bridges, T., …Berrow, J. (2013). A compromise between old and new? : the music of Hymns Ancient & Modern. In L. H. S. Group (Ed.), Hymns Ancient & Modern and Henry Williams Baker: A Herefordshire Vicar and his Hymn Book. Leominster History Study Group

'Hidden Artifice': Howells as Song-Writer (2013)
Book Chapter
Dibble, J. (2013). 'Hidden Artifice': Howells as Song-Writer. In P. Cooke, & D. Maw (Eds.), The Music of Herbert Howells (62-85). Boydell & Brewer

Venice and Opera (2012)
Book Chapter
Dibble, J. (2012). Venice and Opera. In M. O Neill, M. Sandy, & S. Wootton (Eds.), Venice and the Cultural Imagination (43-77). Pickering & Chatto

The Church Music of John Ireland (2011)
Book Chapter
Dibble, J. (2011). The Church Music of John Ireland. In L. Foreman (Ed.), The John Ireland Companion (232-254). Boydell & Brewer

'I Pant for the Music which is Divine': Shelley's Poetry and the Musical Imagination (2008)
Book Chapter
Dibble, J. (2008). 'I Pant for the Music which is Divine': Shelley's Poetry and the Musical Imagination. In S. Schmid, & M. Rossington (Eds.), The reception of P.B. Shelley in Europe (278-301). Continuum Press

Charles Villiers Stanford, Music Education and the Concepts of 'Musica Prattica' and 'Musica Theoretica' (2007)
Book Chapter
Dibble, J. (2007). Charles Villiers Stanford, Music Education and the Concepts of 'Musica Prattica' and 'Musica Theoretica'. In W. Everett, & P. Laird (Eds.), On Bunker's Hill : Essays In Honor Of J. Bunker Clark

'Musical Trends and the Western Church: a Collision of the Ancient and Modern' (2006)
Book Chapter
Dibble, J. (2006). 'Musical Trends and the Western Church: a Collision of the Ancient and Modern'. In S. Gilley, & B. Stanley (Eds.), World Christianities, c.1815-c.1914 (121-135). Cambridge University Press. https://doi.org/10.2277/0521814561

'Elgar and His British Contemporaries' (2004)
Book Chapter
Dibble, J. (2004). 'Elgar and His British Contemporaries'. In D. Grimley, & J. Rushton (Eds.), Cambridge companion to Elgar (15-23). Cambridge University Press. https://doi.org/10.2277/0521826233

Theses (2003)
Book Chapter
Dibble, J. (2003). Theses. In L. Foreman (Ed.), Information Sources in Music (168-177). K G Saur

Fantasy and Hybridization in the British Variation Tradition (2002)
Book Chapter
Dibble, J. (2002). Fantasy and Hybridization in the British Variation Tradition. In J. Dibble, & B. Zon (Eds.), Ninteenth-Century British Music Studies (235-250). Ashgate Press

Parry's Guenever: Trauma and Catharsis (2002)
Book Chapter
Dibble, J. (2002). Parry's Guenever: Trauma and Catharsis. In R. Barber (Ed.), King Arthur in Music (35-50). Boydell & Brewer

The Death of a Culture: Germany and British Music before 1914 (2001)
Book Chapter
Dibble, J. (2001). The Death of a Culture: Germany and British Music before 1914. In L. Foreman (Ed.), Oh, My Horses: Elgar and the Great War (73-88). Elgar Editions

Grove's Musical Dictionary: A National Document (2001)
Book Chapter
Dibble, J. (2001). Grove's Musical Dictionary: A National Document. In H. White, & M. Murphy (Eds.), Musical Constructions of Nationalism: Essays on the History and Ideology of European Musical Culture 1800-1945 (33-50). Cork University Press

Dannreuther and the Orme Square Phenomenon (2000)
Book Chapter
Dibble, J. (2000). Dannreuther and the Orme Square Phenomenon. In C. Bashford, & L. Langley (Eds.), Music and British Culture, 1785-1914: Essays in Honour of Cyril Ehrlich (275-298). Oxford University Press

Parry as Historiographer (1999)
Book Chapter
Dibble, J. (1999). Parry as Historiographer. In B. Zon (Ed.), Nineteenth-Century British Music StudiesAldershot (37-51). Ashgate Publishing

The Composer in the Academy, 1850-1940 (1998)
Book Chapter
Dibble, J. (1998). The Composer in the Academy, 1850-1940. In C. Acton, & R. Pine (Eds.), To Talent Alone: The Royal Irish Academy of Music 1848-1998 (400-418). Gill and Macmillan