All Outputs (5)

Ovid's error: Actaeon, sight, sex, and striptease. (2006)
Journal Article
Ingleheart, J. (2006). Ovid's error: Actaeon, sight, sex, and striptease

What the Poet Saw: Ovid, the error and the theme of sight in Tristia 2 (2006)
Journal Article
Ingleheart, J. (2006). What the Poet Saw: Ovid, the error and the theme of sight in Tristia 2. Materiali e Discussioni per l'Analisi dei Testi Classici, 56(1), 63-86. https://doi.org/10.1400/53422

Ovid, Tristia 1.2: high drama on the high seas (2006)
Journal Article
Ingleheart, J. (2006). Ovid, Tristia 1.2: high drama on the high seas. Greece and Rome, 53(1), 73-91. https://doi.org/10.1017/s0017383506000052

In the first poem of Tristia 1, Ovid claims me mare, me uenti, me fera iactat hiems (‘the sea, the winds, the savage winter storm harass me repeatedly’, 1.1.42). This is no mere rhetorical flourish: the immediacy of the present tense becomes apparent... Read More about Ovid, Tristia 1.2: high drama on the high seas.

Review: R. Dimundo: Ovidio. Lezioni d'amore. Saggio di commento al I Libro dell' Ars amatoria (2006)
Journal Article
Ingleheart, J. (2006). Review: R. Dimundo: Ovidio. Lezioni d'amore. Saggio di commento al I Libro dell' Ars amatoria. Classical Review, 56(1), 114-115

Burning Manuscripts: the literary apologia in Ovid's Tristia 2 and Vladimir Nabokov's On a Book Entitled Lolita (2006)
Journal Article
Ingleheart, J. (2006). Burning Manuscripts: the literary apologia in Ovid's Tristia 2 and Vladimir Nabokov's On a Book Entitled Lolita. Classical and modern literature, 26(2), 79-109