All Outputs (37)

A Commentary on Ovid, Tristia, Book 2. (2010)
Book
Ingleheart, J. (2010). A Commentary on Ovid, Tristia, Book 2. Oxford University Press

The Literary 'Successor': Ovidian Meta-poetry and Metaphor (2010)
Journal Article
Ingleheart, J. (2010). The Literary 'Successor': Ovidian Meta-poetry and Metaphor. Classical Quarterly, 60(1), 167-172. https://doi.org/10.1017/s0009838809990516

Writing to the Emperor: Horace's Presence in Ovid'S, Tristia 2. (2009)
Book Chapter
Ingleheart, J. (2009). Writing to the Emperor: Horace's Presence in Ovid'S, Tristia 2. In L. Houghton, & M. Wyke (Eds.), Perceptions of Horace: A Roman Poet and his Readers (123-139). Cambridge University Press

Transformations of the Actaeon myth: Ovid, Metamorphoses 3 and Ted Hughes' Tales from Ovid. (2009)
Book Chapter
Ingleheart, J. (2009). Transformations of the Actaeon myth: Ovid, Metamorphoses 3 and Ted Hughes' Tales from Ovid. In R. Rees (Ed.), Ted Hughes and the Classics (199-215). Oxford University Press

Et mea sunt populo saltata poemata saepe (Tristia 2.519). Ovid and the pantomime (2008)
Book Chapter
Ingleheart, J. (2008). Et mea sunt populo saltata poemata saepe (Tristia 2.519). Ovid and the pantomime. In E. Hall, & M. Wyles (Eds.), New Directions in Ancient Pantomime (198-217). Oxford University Press. https://doi.org/10.1093/acprof%3Aoso/9780199232536.003.0010

(R.K.) Gibson, (S.) Green, (A.) Sharrock (edd.) The Art of Love. Bimillennial Essays on Ovid's Ars Amatoria and Remedia Amoris. Pp. xii + 375. Oxford: Oxford University Press, 2006. Cased, £60. ISBN: 978-0-19-927777-3. (2008)
Journal Article
Ingleheart, J. (2008). (R.K.) Gibson, (S.) Green, (A.) Sharrock (edd.) The Art of Love. Bimillennial Essays on Ovid's Ars Amatoria and Remedia Amoris. Pp. xii + 375. Oxford: Oxford University Press, 2006. Cased, £60. ISBN: 978-0-19-927777-3. Classical Review, 58(1), 129-131. https://doi.org/10.1017/s0009840x07002144

Gaertner (J. F.) (ed., trans.) Ovid, Epistulae ex Ponto, Book I. Edited with Introduction, Translation and Commentary. (2007)
Journal Article
Ingleheart, J. (2007). Gaertner (J. F.) (ed., trans.) Ovid, Epistulae ex Ponto, Book I. Edited with Introduction, Translation and Commentary. Classical Review, 57(1), 112-14

Victoria Rimell, Ovid's Lovers: Desire, Difference, and the Poetic Imagination. (2007)
Journal Article
Ingleheart, J. (online). Victoria Rimell, Ovid's Lovers: Desire, Difference, and the Poetic Imagination. Bryn Mawr Classical Review,

Propertius 4.10 and the end of the Aeneid: Augustus, the spolia opima and the right to remain silent (2007)
Journal Article
Ingleheart, J. (2007). Propertius 4.10 and the end of the Aeneid: Augustus, the spolia opima and the right to remain silent. Greece and Rome, 54(1), 61-81. https://doi.org/10.1017/s0017383507000046

The tenth poem of Propertius Book 4 is the most remarkable in a collection full of surprises for its readers, and appears to mark a significant departure from his previous work. If Propertius had never written his final book of poetry, we might chara... Read More about Propertius 4.10 and the end of the Aeneid: Augustus, the spolia opima and the right to remain silent.

Ovid's error: Actaeon, sight, sex, and striptease. (2006)
Journal Article
Ingleheart, J. (2006). Ovid's error: Actaeon, sight, sex, and striptease

What the Poet Saw: Ovid, the error and the theme of sight in Tristia 2 (2006)
Journal Article
Ingleheart, J. (2006). What the Poet Saw: Ovid, the error and the theme of sight in Tristia 2. Materiali e Discussioni per l'Analisi dei Testi Classici, 56(1), 63-86. https://doi.org/10.1400/53422

Ovid, Tristia 1.2: high drama on the high seas (2006)
Journal Article
Ingleheart, J. (2006). Ovid, Tristia 1.2: high drama on the high seas. Greece and Rome, 53(1), 73-91. https://doi.org/10.1017/s0017383506000052

In the first poem of Tristia 1, Ovid claims me mare, me uenti, me fera iactat hiems (‘the sea, the winds, the savage winter storm harass me repeatedly’, 1.1.42). This is no mere rhetorical flourish: the immediacy of the present tense becomes apparent... Read More about Ovid, Tristia 1.2: high drama on the high seas.

Review: R. Dimundo: Ovidio. Lezioni d'amore. Saggio di commento al I Libro dell' Ars amatoria (2006)
Journal Article
Ingleheart, J. (2006). Review: R. Dimundo: Ovidio. Lezioni d'amore. Saggio di commento al I Libro dell' Ars amatoria. Classical Review, 56(1), 114-115

Burning Manuscripts: the literary apologia in Ovid's Tristia 2 and Vladimir Nabokov's On a Book Entitled Lolita (2006)
Journal Article
Ingleheart, J. (2006). Burning Manuscripts: the literary apologia in Ovid's Tristia 2 and Vladimir Nabokov's On a Book Entitled Lolita. Classical and modern literature, 26(2), 79-109

Catullus 2 and 3: A programmatic pair of Sapphic Epigrams? (2003)
Journal Article
Ingleheart, J. (2003). Catullus 2 and 3: A programmatic pair of Sapphic Epigrams?. Mnemosyne: A Journal of Classical Studies, 56(5), 551-565. https://doi.org/10.1163/156852503770735952

Starting from a broad ancient definition of 'epigrams' which includes poems which are not in elegiacs, and Martial's use of Catullus 2 (written in hendecasyllables) as a model for his own epigrams (Mart. 4.14.13-4), my paper examines epigrammatic fea... Read More about Catullus 2 and 3: A programmatic pair of Sapphic Epigrams?.

High Culture in Low Company? The Reception of Ancient 'Homosexuality' in the Pornographic 'The Sins of the Cities of the Plain'.
Book Chapter
Ingleheart, J. High Culture in Low Company? The Reception of Ancient 'Homosexuality' in the Pornographic 'The Sins of the Cities of the Plain'. In E. Richardson (Ed.), Classics in Extremis: The Edges of Classical Reception (88-100). Bloomsbury

Translation, Identity, and the History of Sexuality: Explorations in Burton and Smithers's Catullus
Book Chapter
Ingleheart, J. Translation, Identity, and the History of Sexuality: Explorations in Burton and Smithers's Catullus. In J. Henderson, & R. F. Thomas (Eds.), The Loeb Classical Library and Its Progeny (393-421). Harvard University Press