Women Interpreting Men: Theatrical Cross-Dressing and the Representation of Masculinity in Campistron's Amante amant (1684) and Dancourt's Folle Enchère (1690)

Clarke, Jan

Women Interpreting Men: Theatrical Cross-Dressing and the Representation of Masculinity in Campistron's Amante amant (1684) and Dancourt's Folle Enchère (1690)

Clarke, Jan

Authors

Professor Jan Clarke jan.clarke@durham.ac.uk
Professor

Contributors

Pierre Zobermann
Editor

Citation

Clarke, J. (2015). Women Interpreting Men: Theatrical Cross-Dressing and the Representation of Masculinity in Campistron's Amante amant (1684) and Dancourt's Folle Enchère (1690). In P. Zobermann (Ed.), Interpretation in/of the seventeenth century. (pp. 199-213). Cambridge Scholars Publishing. http://www.cambridgescholars.com/interpretation-inof-the-seventeenth-century

Online Publication Date	Feb 1, 2015
Publication Date	Feb 1, 2015
Deposit Date	Feb 13, 2016
Pages	199-213
Book Title	Interpretation in/of the seventeenth century.
Chapter Number	12
Public URL	https://durham-repository.worktribe.com/output/1643495
Publisher URL	http://www.cambridgescholars.com/interpretation-inof-the-seventeenth-century